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As “The Passion of the Christ” returns to theaters more than 20 years after becoming a cultural phenomenon, screenwriter Randall Wallace reflects on how the film serves as a starting point for Mel Gibson’s next undertaking: “The Resurrection of the Christ.”
Conservative advocacy group One Million Moms is warning parents about Disney’s upcoming series “Coven Academy,” saying it pushes witchcraft on children and teenagers. The PG-V series premieres Oct. 1 on the Freeform channel and the rest of the season begins streaming a day later on Disney+, Hulu and Freeform on Demand.
Dolly Parton’s niece, Jada Star Roberts, says her aunt was thinking of others in her final days, choosing to keep her health problems quiet.
Mark Wahlberg has shared how his Catholic faith continues to shape how he thinks about forgiveness, judgment and mercy, even as his latest film, “By Any Means,” plunges him into a world where justice and vengeance increasingly become difficult to distinguish.
With his 2004 box office hit “The Passion of the Christ” set for re-release in theaters, Mel Gibson says the long-awaited follow-up will be a broader exploration of the world surrounding the biblical account of Jesus’ resurrection.
Veteran worship leader Darlene Zschech believes the Church is once again entering a season in which God is moving powerfully and new expressions of worship are emerging.
Director Paul Greengrass, Andrew Garfield and Thomasin McKenzie share with The Christian Post how “The Uprising” explores faith, injustice and the ways religious institutions can be corrupted by power while offering hope and community amid social upheaval.
A mother and her daughters planned to visit the late Dolly Parton's Hollywood Walk of Fame star and leave flowers out of respect for the legendary singer-songwriter, only to discover that someone had vandalized it.
Christine Daaé is the heroine of one of theatre’s most beloved productions, “The Phantom of the Opera,” which has enchanted audiences for decades through spectacle and stunning musical numbers. But for Francesca Mehrotra, Christine’s story of betrayal, mercy and love also carries an unmistakable echo of the Gospel.
